Abstract Based on the ownership types of the first domestic film production enterprises, this paper selects 450 films produced by state-owned and private production enterprises from 2003 to 2017 as samples to construct the production networks of state-owned and private production enterprises respectively. On this basis, Social network analysis is used to compare the structural differences between the above enterprises. Finally, this paper uses the econometric model to measure the impact of the position of production enterprises in the two types of ownership production networks on their box office. There are following findings: (1) The “private film production network” has the advantage of large scale, high density, more open, lower central potential and structural hole limit system, and the overall structure is better than that of “state-owned film production network”. (2) The state-owned enterprise and China Film Group Corporation occupy a central position in both types of production networks and remain a profound influence on the development of the industry. (3) The centrality in the “state-owned film production network” and the share of structural holes in the “private film production network” have a significant positive impact on the box office of production enterprises. Therefore, if we strengthen the relationship between the state-owned film production enterprises and the private film production enterprises , it will play a positive role in promoting the performance of the box office.
WEN Hu,CHEN Shiyu. The Influence of Production Network Structure Difference on the Box Office of State-owned and Private Film Production Enterprises. Economic Survey, 2021, 38(6): 073.
2021, Vol. 38 
